Arabeem Ottakom P Madhavan Nayarum in Oru Marubhoomikadha | അറബീം ഒട്ടകോം പി മാധവൻ നായരും ഒരു മരുഭൂമി കഥ (2011)

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U | Romance, Comedy | 16 December 2011 (India) | 2h:45m:51s

Soundtrack

MG Sreekumar .. Music

Chembaka Vallikalil

Rajeev Alunkal .. Lyricist
MG Sreekumar, Shweta Mohan .. Singers

Gopa Balannishtam

Santhosh Varma .. Lyricist
Madhu Balakrishnan, KS Chithra .. Singers

Madhavettanennum

Bichu Thirumala .. Lyricist
Ujjayinee Roy, Rahman, MG Sreekumar .. Singers

Manassu Mayakki

Santhosh Varma .. Lyricist
KS Sudeep Kumar, Rimi Tomi .. Singers

Gopa Balannishtam

Santhosh Varma .. Lyricist
Madhu Balakrishnan, KS Chithra .. Singers

Audio Jukebox

Video Jukebox

Chembaka Vallikalil

MG Sreekumar .. Music, Singer
Rajeev Alunkal .. Lyricist
Shweta Mohan .. Singer

Madhavettanennum

MG Sreekumar .. Music, Singer
Bichu Thirumala .. Lyricist
Ujjayinee Roy, Rahman .. Singers

Manassu Mayakki

MG Sreekumar .. Music
Santhosh Varma .. Lyricist
KS Sudeep Kumar, Rimi Tomi .. Singers

Synopsis

P.Madhavan Nair is an accountant in a Gulf-based firm owned by a Sheik. After years of toiling in the desert, he is comfortably settled. Suddenly, out of nowhere, Meenakshi enters his life and after some bizarre incidents, the two get married. But there are more weird developments and Madhavan Nair finds himself with an old crony Abdu Kupleri, who had dropped into his office for some help. Soon the two get involved with another girl Ileana whom they found kidnapped and kept in a car parked near the desert. What follows is a roller coaster ride by the three, full of fun and laughter.
The movie has tried its best to be an out-and-out comedy and it has managed to rake up laughter on quite a few occasions. The slapstick comedy is sometimes monotonous with characters slapping each other mechanically. Spliced here and there, there are a few smatterings of melodrama to satisfy the pensive viewer. Sadly, those who have seen Priyadarshan’s previous movies will be overcome with a feeling of déjà vu, many of the scenes resembling those from his older films. But among the new generation, the comedy and the comical and absurd verbal exchanges between Mohanlal and Mukash will have quite a few takers. Priyadarshan is at his best when handling comedy and he has shown his dexterity in this film too, particularly in the first half. Bhavana’s entry, in particular, will evoke riotous laughter.